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    The Best of Metro Boomin: 10 Songs That Define His Sound

    The best of Metro Boomin, who is currently one of the most influential hip-hop producers. He collaborated with some of the biggest names in music. Metro Boomin became world-renowned for his original beats and distinct style. His production approach influenced the sound of modern hip-hop, from trap to rap.
    Let’s look at the best of Metro Boomin’s discography and delve into the 10 songs that define his unique sound. Whether you’re an avid fan or a Metro Boomin music connoisseur, this compilation is sure to highlight his talent and artistry. Here are the 10 best Metro Boomin songs that define his sound.

    10. “Superhero” featuring Future and Chris Brown

    Metro Boomin has a great appreciation for other notable producers like Ye. The nodes of synth-orchestrated strings are a sample of Ye’s “So Appalled” off of My Beautiful Dark Twisted Fantasy. Future’s lyrical delivery matches the beat’s infectious Drumline-like cadence. All while highlighting his fast-paced, invisible lifestyle. He flexes about his success.
    In the latter part of the record, Chris Brown delivers a melancholic offering of his perspective on the downside of life as a superstar. Metro Boomin’s effortless ability to mix beats like Kendrick Lamar switches his flow is a testament to his impact on hip-hop. Take a listen to “Superhero” and hear for yourself.

    9. “Creepin’ Remix” featuring The Weeknd, Sean Combs, and 21 Savage

    Metro Boomin deconstructs many classic, unique tracks to create a sensational modern-day track. To provide some context, “Creepin” is a remake of “I Don’t Wanna Know” (2004) by Mario Winans featuring Enya and P. Diddy. It samples the Fugees’ song “Ready or Not” (1996). The eerily beautiful humming added to the instrumental takes listeners back to a solemn time in their lives. Additionally, Diddy’s appearance on the remix serves as a nearly 20-year full-circle moment as he laid his rhymes on the classic 2004 track.

    8. “Space Cadet” Featuring Gunna

    Gunna’s flow perfectly complements the beat. He confidently boasts about his lavish purchases and world connections, which make him far from averageThe inclusion of the bell that follows every other line is genius, as it rides off the eardrum and takes listeners on a ride out of this world. The production of “Space Cadet” resembles an equation computed by a determined mathematician.
    Metro Boomin created an ethereal, gospel-like harmony at the beginning of “Umbrella.” It serves as a softer tone to the preceding intense organ and sharp 808s. The instrumentation matches the title “Umbrella,” as it is reminiscent of a gangsta rap anthem. 21 Savage and Young Nudy is aggressively assertive as they address the “opps”. Like Metro, 21 and Young Nudy have no problem taking care of business, on and off the track. Listen to “Umbrella” then tell me if you agree.

    6. “Trance” featuring Travis Scott and Young Thug

    The majestic violin midway through “Trance” beautifully meshes with the bass. Travis Scott and Young Thug take turns disturbing their own doses of ecstasy. The inviting beat supplements the rappers’ bars as they unselfishly welcome some women and friends to have a good time. Young Thug tops the song off with his signature icing on the cake with his repetitive, breathy “Ah” adlib.

    5. “Annihilate” featuring Lil Wayne, Offset, and Swae Lee

    Another major gem on the Spider-Man: Across the Spider-Verse soundtrack. One must applaud Metro Boomin’s use of the drums on “Annihilate.” The drums appear to intentionally catapult Miles Morales into another dimension. The esteemed producer clearly understood the assignment. He demonstrated his distinguished ability to connect both visual and sonic masterpieces.
    Metro delivered a superhuman beat with high-pitched strings. The strings helped allow various Spider-Man to navigate their daunting reality without fear. Listen to “Annihilate” if you haven’t already heard it while watching the Spider-Man: Across the Spider-Verse movie

    4. “Calling” featuring NAV, A Boogie wit da Hoodie and Swae Lee

    Metro Boomin’s production stamp assisted Swae Lee. He became closely associated with the soundtrack of Spider-Man: Across the Spider-Verse. The clean, nostalgic sound matches the lyrics that detail Swae Lee’s recollection of love. He didn’t intentionally create this love, but he accepts the role he plays in the feelings his lover has developed for him.
    NAV and A Boogie with da Hoodie’s lyrics glide on the springboard-sounding bass, showcasing a young man’s attempt to love with pure intentions. This is an amazing example of Metro Boomin’s impact on music.

    3. “Too Many Nights” featuring Don Toliver and Future

    Metro Boomin’s time travels with his “Too Many Nights” production. Don Toliver’s laid-back, hypnotic vocals reflect on countless occasions when he has been out. The innovative layered synths offer a nod to nights in Cali, riding down the coast in a classic ’63 Chevrolet Impala.
    Then Future ironically raps over a futuristic beat, which highlights his inability to keep up with the pace of his life. Moreover, Metro Boomin’s collusion with the Honorable C.N.O.T.E. displays artistic genius. Especially with the repetitive “rim roll” present throughout the track. Take a listen to “Too Many Nights,” then tell me what you think.

    2. “Ric Flair Drip” featuring Offset

    Offset and Metro Boomin released “Ric Flair Drip” in 2017 as part of the collaborative album Without Warning with 21 Savage. The song has a mesmerizing melody and strong bass. All while Offset’s smooth flow and ad-libs pay homage to the legendary wrestler Ric Flair, who makes a cameo in the song’s visual Offset brags about his wealth, style, and influence throughout the song’s catchy chorus and beautiful lyrics.
    With its addictive sound and memorable hook, “Ric Flair Drip” became one of Offset’s most successful songs to date. This classic piece of Metro Boomin music serves as a perfect example of a modern trap.

    1. “Niagara Falls (Foot or 2)” featuring Travis Scott and 21 Savage

    Metro Boomin released a song that seemed like he had something to prove. Since 2016, the producer has set himself apart with his authentic and raw talent. Yet something is different about “Niagara Falls (Foot or 2)”.
    The violin and the needle-like piano keys appear to be Metro’s efforts to share a glimpse of what is going on in his mind and world. Travis Scott and 21 Savage’s contributions to the track come across as if they are Metro’s hype men. It can be assumed that they would encourage Metro to be himself, as they unapologetically express their desires as they enjoy the vibe.
    Metro Boomin’s beats discography is nothing short of both extensive and diverse. His signature sound blends hard-hitting beats, trap elements, and innovative production techniques. Metro Boomin’s sound distinguishes itself with fascinating, unique instrumentals. They capture and enrich the essence of the musicians on whose albums he collaborates. Metro Boomin’s beats complement the artists.
    Their matched delivery of the songs results in a seamless combination of Metro Boomin’ music and the artists’ lyrics. Consider Metro Boomin’s frequent collaborations with Drake and Future to his solo production work over the last seven years; Metro Boomin’s discography demonstrates his exceptional skills. It also illustrates his ability to push the frontiers of modern music production.

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