The trailer for Venom: Let there be carnage is out now. giving us a tantalizing preview of the upcoming movie. Although, there is still no spidey in this film, unless you count the tiny spider that was squashed in the trailer. Thanks to the Sony and Marvel deal, this movie takes place in a different universe than the spidey films but that doesn’t rule out spider-man making an appearance in future films.
Multiverse exploration opens the door and allows for Spider-man to travel to this universe and potentially run into both Venom and Carnage. For that, we may have to wait and see what No Way Home brings. Just don’t have your hopes up for this movie.
Anyway, let’s check out the trailer to see all the teases and easter eggs for Venom: Let There Be Carnage.
First Look; Trailer:
10 Easter Eggs & Takeaways from the Trailer
1. Brock and Venom’s relationship
Now, that they share a body, they have to come up with ground rules for how to coexist. One major rule that Venom still seems to struggle with is the No Eating People, rule which has been prominently scrawled on a pizza box hung on the wall.
Everything appears to be chaos where Venom is concerned; he has taken to cooking if you can call that monstrosity a meal.
Everything is all over the place and Venom is singing “Let’s call the whole thing off” which could mean that everything isn’t going as smoothly for them.
2.Mrs. Chen
still remains a focal point for the duo. After protecting her against a robber, Mrs. Chen seems to be pretty chummy with both Eddie Brock and Venom (Tom Hardy).
That is, until she fails to deliver the shipment of Chocolate. Then, Venom proclaims, “I am happy to eat Mrs. Chen.” Needless to say, Venom takes chocolate very serious.
What is the deal with chocolate?
Why? Venom’s hunger for brains is actually a biological thirst for phenethylamine – a stimulant that symbiotes apparently need yet can’t produce naturally. The Symbiotes acquire it from the human brain. Phenethylamine is also present in Chocolate as a mood booster and could be a supplement or replacement when he’s told not to eat people. Without chocolate, Venom must acquire it from eating a human brain.
3. Easter Egg: Sale 50 –
may be for a variant cover of Spider-man which included Venom, with the tagline Venom No More.
Jersey’s Own Trust Tate talks music and his creative process with HypeFresh Magazine.
1. Who is Trust Tate?
Trust Tate is a 27-year-old from the Bronx, NY and bred in Jersey. Tate is a product of public school education with a multicultural perspective on life. I’m always looking at the bigger picture. As a Cicely Tyson Performing Arts High School and Rutgers grad, Tate has since become a vocalist, rapper, producer and engineer, with aspirations to be completely self-sufficient. I have no intentions of putting himself into a monolithic box.
2. What’s it like being from Jersey City?
Growing up next to NYC, I was used to being around people from different backgrounds who took pride in their culture. In fact, I grew up right above a Spanish restaurant on Monmouth Street and 7th street, near 3 different high schools. The Spanish music I heard early on influences my music today.
3. Being that you were shot at the age of 7-months-old, what is your take on gun violence in the Black community?
We live in a bang bang bang society. We have always had to go through that. First, they quarantine us and put us in boxes. Then, we start to see our neighbors as enemies. As a matter of fact, Black on Black crime shouldn’t be the first conversation, but still one that needs to be had. We are people scrambling for resources. The 16-year-old who shot me was trying to get at someone else. Although I was shot in the left arm twice and my bicep was severed, I don’t fault him for it. Everyone isn’t strong enough to overcome their influences and the desperation from their experiences. People are just trying to survive. At large, we need to do a better job of regulating our children and our neighborhood.
4. What inspires your music?
Life inspires my music. Music is art and art reflects life. Music is therapy. I’m operating in a scenario where passion makes money not money makes passion. My motto is to be freer with myself, my music, my family and friends. The more comfortable I am with myself, the better I can deal with myself. Real life thoughts, experiences and memories translate to music.
5. How is your music reflective of a therapy session?
My process includes beat selection and self-reflection. I ask myself two questions: Did I really feel something when I made it? Didi think about something specific or a particular theme? I get my ammo from experiences. We all have them, but we get caught up with worrying if people can relate. My goal is to protect people’s energy and protect people’s mental health. I want to tip the scale from the norm of sweeping pain under the rug.
6. What has your journey been like transitioning from SoundCloud to the mainstream music industry?
I’m actually never leaving SoundCloud. It’s free and not divisive. Artists like myself can freely experiment and know people will listen. Fans have bourgeoisies about who to listen to. People have to trust you to give them a feeling that they’re relying on. Music is an expression of something. To me, SoundCloud is like other platforms – it’s a connecting piece between artists and fans. It gave me the foundation to reach the heights that I’ve reached thus far.
7. Tell me about your background in music.
My father came up as a teenager with legends such as Rakim and KRS-One in Long Island and the Bronx. was also a well known break dancer like Crazy Legs in the 80s and 90s. On the other hand, my mother raised me on eclectic sound from Jay-Z to John Mayer. Music was destined to be my way of life.
8. Who are your music influences?
I can go on all day but I’d say I’m influenced by Michael Jackson, Kendrick Lamar, Drake, Kanye, Jay-Z, Disturbed, Metallica, Tool, Marilyn Manson, Gwen Stefani, Amy Winehouse, etc. Lastly, I would add Jersey Club Music in the mix too – I generally gravitate towards artists that are free spirited. I also have vinyls of SWV and Diana Ross. I was a psychology major, so I acknowledge the fact that I am consciously or subconsciously influenced by these people.
9. What do symbols mean to you?
I’ve been studying religious symbols from around the world. I want to study all religions. At the moment, I don’t adhere to any religious discipline, but I’m curious to know what all peoples’ histories are. I look closely for differences and similarities between Abrahamic and Non-Abrahamic religions. Each religion comes from two trees, which has come from one tree. In fact, I’m waiting to get my results back from ancestry.com. I’m eager to determine my religious background based on religious practices in the motherland.
10. How has your creative process changed during the pandemic?
I have definitely honed in on my creative process. I have actually been quarantined since January 2020. Since then, I’ve been in the studio, locked in. I make music everyday three to four times a day, mixing and mastering for myself and other artists. I’m always studying something. I’m currently studying photoshop so that I can do my own cover art. I love working with people; therefore, I’m working to better myself to help others.
11. What can you tell your fans and music fanatics about ‘FaceTime’?
‘FaceTime’ is a story that everyone can share. Everyone can relate to the reality that someone calls you and you don’t feel like talking. The person may not even have anything to say, but uses you as a boredom killer. Then you think, “why are we even on the phone right now? The WIFI is fine, but I don’t dig the poor connection. My cousin, Jus1, shows the other side where a woman is on FaceTime but hiding from her man in the bathroom. The producer is from UK – makes Afrobeats and pop beats.
Be sure to check out Trust Tate’s new single, ‘FaceTime.’
Hypefresh Caught up with Singer/writer/actress Tiffany Evans
Tiffany Evans has been involved in the music industry for almost two decades, yet her best days are still ahead of her. The Bronx native is probably most famous for her role in Tyler Perry’s “Diary of a Mad Black Woman.” Or you may know her from her hit single Promise Ring ft, Ciara. However, there is much more to the former child star then what the average fan might know or assume about Ms. Evans.
Hypefresh got a chance to talk with Tiffany about a wide range of topics, including her Bronx upbringing, breaking the child star stigma, and her growth as a woman and artist.
The first thing you notice about Tiffany Evans when talking to her is the down to earth vibe she naturally gives off. Upon taking the call, Tiffany was very gracious and respectful, while her soft angelic voice gave off just the right dose of confidence. Her words are smooth and non-threating yet assured and unafraid.
She speaks as a woman who has experienced life from both ends of the good and bad spectrum but hasn’t let the bad turn her bitter.
The first thing we discuss is how her Bronx upbringing has influenced her artistry and her style. You can hear the singer brighten up at the thought of her home.
You were born and raised in the Bronx, which is the birthplace for hip-hop. How has that influenced your artistry?
TIFFANY: The Bronx is full of flavor. People of all different walks of life. Not just the borough, but New York period has a different hustle and passion. I use that spirit when it comes to my music and work ethic. Going back home is always inspirational for me, as well.
She gives props to other Bronx natives such as J-lo and Cardi-B for doing a fantastic job of representing the city and applauds J-lo for how she built an empire that expands beyond entertainment.
From there, we went on to discuss how Tiffany Evans became such a polished performer at such a young age
You have been in the music industry for a while, at nine you performed at the Apollo, at ten you completed Star Search with a perfect score how did you become such a polished performer at such an early age?
TIFFANY: I was raised in a household where we listened to and studied a lot of the greats like Michael Jackson, Whitney Houston, James Brown, etc. and I always wanted to exhibit the same passion as them when I am on stage. I took notes very early and started to do that in my performances.
However, Tiffany also acknowledges that being a child star isn’t all glitter and gold. Growing up in the music industry exposes you to a-lot more, a lot faster, and you still have to face all the regular growing pains. The 27-year-old mother of two touched on how growing up in front of the world presents a set of problems most people don’t have to deal with. She goes on to point out that it took her a while to learn how to prioritize her mental and spiritual health.
Take us into what the transition has been like to go from child star to teen, to a now-grown woman with real woman issues to deal with, all while growing up in the public eye?
TIFFANY: The transition was far from easy. A lot of people had a hard time seeing me grow up, and when I started to make my own decisions, separate myself from certain crowds, it was appalling to a few people. Nobody really knows what I’ve had to endure these past several years, and it’s the reason why I had to take so many breaks from music. I had to gather myself, my life. I can say that I’m in a great space now.
More Than Just A Child Star
Tiffany goes on to share what it was like “breaking the stigma” of being a child star and growing into the woman she is today. She shares that it wasn’t something she did intentionally, but instead, it happened organically. It wasn’t her intention to shed the child star label when she got married or had children, but a casualty of growing up.
Did you feel the need to break away from the stigma of being a child star, or was it something that organically happened?
TIFFANY: It all happened organically, thank God. I believe part of it is due to me taking the time out for myself that I needed to grow.
Some fans may have wondered where Tiffany has been since her promise ring days, and some may have thought she quit. On the contrary, though, Tiffany has been busy this entire time not only with her family but in her career as well. Evans says she never stopped recording music even when she wasn’t putting any out. She did, however, stay busy during those times, writing music, acting, and growing as an entrepreneur. Aside from an EP released in 2015, Evans has worked on music for hit shows STAR and Glamour. In Addition to that, Tiffany has also collaborated with artists like T-pain and Phora on their tracks. Evans also had appearances in popular television shows Law and Order and the district as well as other film and TV credits.
What’s Next
Tiffany Evans is ready to reintroduce her self and her music to the world. The singer has released two singles in the last year with her hit song’s “Switch Up” and “Merry Go Round.” Both songs highlight Tiffany’s incredible vocal skills and show that Tiffany is a full-grown woman. A first glance, one may not even be able to recognize Tiffany Evans as the little girl who sang her heart out in Diary of a mad black woman. Evans gives off effortless sex appeal that doesn’t distract from her music or lyrics rather complements it beautifully. Her music also reflects her maturation as a person as the content of her songs are revolved around issues adults are facing in today’s world.
When asked what people can expect to get from her upcoming project Tiffany Evans clearly states that her music is going to be real.
What can we expect from the new music/ new projects you are working on?
TIFFANY: The music on this project is a lot more vulnerable. I drew inspiration from my personal experiences, as well as experiences from my close friends that we talk about. Most importantly, you can expect a lot of growth, and I can’t wait until everyone gets to hear it. I’m very proud of this body of work.
What producers and or artists are you working with for your new material?
TIFFANY: I work with a lot of up and coming producers because of the passion and go-getter mentality they have. Producer Crazy T, J Track, Fever, WAV, A-Lex, GoTo, Tasha Catour, and Jawan Harris. Still not everybody but to name a few. They’re all so dope to me, and I can’t wait for everyone to see them shine and to hear what we’ve conjured up.
Talent-wise, there is no question that Tiffany Evans belongs in the Top-Tier of entertainment acts in the game. She can sing with the best of them, she writes music, she acts, and her energy is fantastic. Now that she is ready to rerelease music, we are expecting her to take her rightful place in the upper echelons of the artist topping the charts.
Be sure to check TiffanyEvansOffical.com for updates about anything and everything Tiffany Evans and stay on the lookout for her upcoming projects
When asked to describe the best day she’s ever had, North didn’t flinch: a family trip to Italy with dad Kanye West, sister Chicago, brother Saint, and Psalm. But the coolest part clearly wasn’t sightseeing or Italian gelato. North recounted finding weird “devil statues” in the house they were staying in.
“Maybe in Italy with Dad. It was just us and my siblings, and that’s when I really brought them close to god, because we had this house and there was these devil statues, and I was like, “Mm-mm, mm-mm, no, girl. I was like, “We got to pray.” So then I taught Chi and Psalm and Saint how to pray. “
She recounted taking the initiative to teach her brothers how to pray. She felt that it was her responsibility to take care of her little siblings spiritually.
“God really did his thing after,”
She claims with pride. What was seized in this moment wasn’t just a laugh at one crazy anecdote; it was actually quite a poignant look into North and her relationship with faith and family values.
Other than that, another highlight of this interview was North’s passion for fashion. While still preteen, she emphasized an interest in streetwear and ’90s-inspired looks. She made sure to point out that her dad, Kanye, and artist Tyler, the Creator are two of her key influences. And North has already proclaimed her dream to one day start a clothing line-cheekily named after herself, “North West.” If this dream does come to life, get ready for the next wave in West fashion.
North playfully teased Kim for never having cooked. “Mom, you haven’t cooked since two Halloweens ago!” she joked. Kim shared that her last attempt in the kitchen was “macaroni, fried chicken, cornbread-add with “I’m one-trick pony.” Jovial moments of mother-daughter affection COC, showing what exists between them when cameras and lights are not around.
Though she may share her parents’ flair for the creative, North’s feelings about school are a little more complicated.
“I don’t really like school,”
she confessed. But then she surprised Kim by revealing her favorite subject is Latin – one that few kids would enthusiastically endorse. She expressed ambivalence toward art class:
“I like art, but the class is kind of annoying.”
North’s refreshingly honest take on school life makes her all the more relatable to kids her age despite her peculiar upbringing.
Growing up in the public eye has afforded North serious tools for dealing with the media. While she loves taking her own selfies, getting photographed by less-than-consensual paparazzi isn’t her thing.
“If they catch me off-guard, I just say, ‘I’m going to sue you,'”
she said with a grin. It’s a small but telling glimpse into the way young West guards the pressures of celebrity life with humor and wit.
She already has a very sophisticated sense of travel, sounding like a seasoned jet-setter.
“I love Japan and New York,”
She revealed, calling Japan her favorite place in the world. She even threw in a little Japanese—”Ohayo gozaimasu“-for good measure during the interview, displaying an endearing fascination with the culture and fashion scene.
“The people there are so stylish,”
North purred. Her fascination with trying new things and being surrounded by other cultures means that travel will likely be a big part of her future.
In the interview, North West gave a rare look into her life, balancing childhood innocence with the unique challenges thrown her way through being in the limelight. Her personality really came across-from the spiritual moments in Italy to the funny digs against her mom, it was all a mix of creativity, faith, and playfulness. As she keeps growing, it’s clear that North is forging her own, whether the subject is faith, fashion, or using wit to handle the public eye.
Swae Lee, the popular rapper, recently took a ride in Tesla’s innovative robotaxi, which notably lacks a steering wheel. During the event “We, Robot” presented by Elon Musk himself on October 11, 2024, at Warner Bros. Studio in Burbank, California, Swae Lee took a ride in Tesla’s revolutionary Robotaxi called Cybercab.
The Cybercab is sleek, two-seater, no steering wheel, no pedal. Rather, it would completely ride on very sophisticated artificial intelligence and senses. As Swae Lee took the ride himself, he felt compelled to share his amazement. “It was incredible,” he said. “I felt like I was floating. It’s way better than having a human driver.” His remarks mirror a growing confidence and curiosity about autonomous driving technology.
Swae Lee took a ride in Tesla’s new Robotaxi, which has no steering wheel, and said it’s better than having a human drive 👀 pic.twitter.com/MBUwiDFlBz
Swae Lee was not the only one present on the event; he was joined by artists like 2 Chainz among many, and they got to interact with the Optimus robot designed by Tesla. The preposterous robot even serenaded them singing Swae Lee’s “Sunflower” hit. The unexpected performance mixed it up into an entertaining vibe for the showcase; this made certain that Tesla’s technology was great but also engaging.
The event had presented a new vehicle that could also be referred to as the Robovan, which one could configure either for mass transit or even turn into a cargo carrier-a definite indication that Tesla doesn’t stop addressing just passenger vehicles in its fleet. With such models being brought into the market, the future of transportation seems to get brighter and more versatile.
The Cybercab is offering passenger comfort and safety with an assurance to make rides not only pleasant but also secure. While many people are pretty excited about what could be with robotaxis, that red flag most are raising on issues of safety and reliability simply won’t go away. Smoothness of the ride and predictability of the vehicle behavior are critical factors that will determine how comfortable the public feels with this new way of getting around.
Swae Lee’s case represents an increasing reality in the growing number of artists who do not hold themselves back from embracing new technologies. He has been working on different projects-from collaboration with musicians to solo material.
His songs generally speak about love and personal experiences; he shares his music with his audience. Recently, he and his girlfriend Victoria Kristine welcomed a boy to their family, and that seems like a very emotional and creative addition to his life.
As Swae Lee elaborates on his music and the future of technology, one thing he never fails at is penning strong lyrics that connect with his audience. For going out of his way to even pick up something as innovative as the Tesla Cybercab, Lee proved he was more than just an artist but a thought leader-into the future, at least.
R Kelly’s estranged daughter, Buku Abi, has found herself at the center of attention again amid public interest in the disgraced singer’s ongoing and new legal battles. Born JoAnn Kelly, Buku has publicly talked about the emotional toll her father’s crimes have on her, but never said she was a victim of his.
BREAKING: R. Kelly's daughter Buku says the singer sexually abused her as a child:
In her past public statements, Buku said she “sympathized with every survivor” of R. Kelly’s abuse who was “forced to live through that at the hands and mercy of my father.” Having an evil burden being closely related to such a controversial figure, Buku has, however, clarified that she no longer sustains a relationship with her father, whose convictions for sex crimes have sent shockwaves throughout the music world and beyond.
I’m truly devastated by everything that’s come to light, and it’s been really, really hard to process, Buku wrote in 2019 on Instagram. In the same post, she also touched on how she struggled to balance her personal relationship with her father against his public persona, saying she must “pray for all the families and women that have been affected from my father’s actions.”
Via pagesix
Though other documentaries, such as “Surviving R. Kelly,” have brought to light the stories of many of R. Kelly’s victims, Buku has stayed clear of any active involvement in them. Her choice to remain mostly silent because of her father’s legal issues has brought both empathy and speculation from the public.
Ongoing trials and convictions against R. Kelly on charges that involve sexual abuse and exploitation put a certain kind of spotlight on his family. While Abi has not made any legal allegations, her public comments are evidence of her personal battle with being associated with someone convicted of serious crimes.
The solidarity with Buku has been loud from many fans and supporters of R. Kelly’s victims for what many children from public figures have to live their lives: between loyalty to family and personal integrity. As the case against R. Kelly remained in process, Buku stays a figure of strength and resilience to many people close enough to this case.
Conor McGregor has thrown down the challenge to YouTube starKSI in what will be a heated-yet-teasing rivalry. The UFC superstar recently shared his despise for KSI’s new musical project, a song entitled “Thick Of It,” which he boldly labeled as “bullshit.”
As stated in an interview with Misfits Boxing, McGregor piled on: “I’ll fight him for that bulls**t song alone!”-a statement gone viral, sending shockwaves through the boxing and social media communities.
The challenge of McGregor is not just a song; it’s a reflection of his life-size ego and a penchant for stirring the pot. Bravado has always accompanied McGregor, who has never backed down from a fight-in or out of the octagon or ring.
His comments came in an event where he was confronted by boxer Derek Chisora, leading to a bizarre exchange that only added fuel to the fire. As would be expected, fans are on the buzz over the prospect of a showdown between the UFC legend and the YouTube sensation.
KSI has also been known in the field of music and boxing. He didn’t waste any time, immediately shooting back at McGregor and labeled him an “idiot.” Teasing between the two fired up conversations on social media, with many eager to share their opinions about the fight.
VIA-X
The backlash has been for “Thick Of It”. He even said himself it’s become “trendy” to hate on him. He thinks this is a bit unfair, especially considering how much work he put into the song. KSI has always made it a point to release hard bars that his core will appreciate, and it appears that he isn’t budging against critics.
Music has been a major part of KSI’s career, and he has always tried to incorporate great lyrics into his songs to which many people can relate. This can also be said about his newest song, “Thick Of It.”
KSI has created and developed his music to tell a story and be relatable to his fans through personal happenings and feelings. This is very important to KSI when creating his craft, as he knows originality plays a key role in his work.
Though brutal, McGregor’s words really bring out the competitive sides of both men. KSI has received mixed reviews in his music career, and the possible critique from McGregor may actually be a call to progress and grow. This is celebrity boxing, the clash of personalities that have built rivalries which could mean more than just words.
It would now appear that McGregor had backed down from his challenge. Reports immediately afterward quoted him as saying that he had not been serious, and that he has other fights, especially one highly vaunted return to the UFC against Michael Chandler. The shift in focus begs the question of McGregor’s seriousness about a potential bout with KSI and whether he just enjoys the trash talk that comes with it.
Meanwhile, KSI is preparing to fight Jake Paul. He has spoken about a desire to face McGregor, but for now, it would appear his attentions are elsewhere. Celebrity boxing is a fluid world, and until more talks are had, fans are left to speculate if this rivalry ever heats up again.
The whole back-and-forth that has gone on between McGregor and KSI has been entertaining, at the very least. A rivalry for the pair originally started on social media, with McGregor often teasing KSI about his music. Things picked up in severity when KSI was lined up to fight Dillon Danis, McGregor’s jiu-jitsu coach, but would never come to fruition.
Recently, McGregor was also in the headlines as he called out KSI to a bare-knuckle boxing match after Anthony Joshua’s knockout victory over Robert Helenius. “He couldn’t box eggs if he worked in an egg boxing factory,” McGregor joked, making many fans and media burst into laughter.
With McGregor known to make these kinds of statements, it is yet to be seen whether it translates into an actual bout. The two fighters are focused on their respective careers at the moment, but the avenue remains open to having something that might bring most of the world together in a single statement.
Druski, the popular comedy influencer has collaborated with one of the favorite comedians, Kevin Hart, in a brand-new series hitting Netflix. This continues to bring his unique comedic flair to an even bigger audience, and with Hart on board, it’s really bound for greatness.
With his skits being hilarious and the humor quite relatable, Druski won the hearts of millions. The rise in the entertainment world of this personality, with over 15 million followers across different platforms, is nothing short of spectacular. This series promised to be full of the best from the two comedians as they blend their peculiar styles into something fresh and entertaining.
The Hollywood Reporter reports that Druski is developing an untitled Netflix series with Kevin Hart pic.twitter.com/8i3Bzz1Lo1
Already, the fans are going wild. With projects like “Coulda Been Records” and “Coulda Fest,” Druski has already proved his creativity and wit. Now, with “Coulda Been House,” he plunges into a reality series-one that somewhat looks like “Big Brother.”
The contestants will be from his parody record label and will be competing for winnings of $50,000. This show is supposed to reflect Druski’s imaginative vision, and by the look of things, he is not about to stop now.
The chemistry is real between Druski and Hart. The two have worked together in streams for the highly popular Twitch streamer Kai Cenat. In fact, one of those streams reached an incredible number of viewers: it hit a peak of 712,600 concurrents. They were at their hilarious best in these sessions, giving good reason for fans to want more.
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Everything concerning the details of the Netflix series is under wraps, but it’s abuzz with excitement. Social media was rife with expressions of what followers thought about it, how they really admired these two comedians, and how many are just waiting to see what they’ll come up with, hoping for just that same energy and laughter their combined work has always projected in the past.
Even more exciting, though, than this team-up is how both comedians feed their fanbases-through great, relatable content. This new series should be no different. Hart has years in the game, while Druski brings that new-school approach in; put together, it could be magic.
For sneak peeks or trailers, well-this is patience on a whole different level. Netflix usually unleashes teasers during events like Geeked Week; that is where they show snippets of upcoming projects. Until then, the wait will just remain something fans have to endure.
Along with the Netflix series, Druski is also filming a movie with Shane Gillis, which broadens his palette as a creator even more. With each new project, he proves that he is not a one-hit wonder but rises to fame in comedy.
The Montauk Project largely concerns the supposed secret government experiments carried out at a place called Camp Hero, which is the name given to an installation that was formerly a military base in Montauk, New York. It is thus perhaps one of the most notorious conspiracies hatched in recent times. Indeed, this allegedly flagrant project has fascinated conspiracy theorists with its stories of everything from mind control to time travel and extraterrestrial encounters for decades on end.
Whereas the U.S. government has persistently denied these, and no credible evidence for this exists, the Montauk Project remains a staple of interest even within conspiracy circles and popular culture.
Origins of the Montauk Project It was at first a non-event-only when a series of books came out, starting with The Montauk Project: Experiments in Time in 1992 by Preston Nichols and Peter Moondid the Montauk Project really take flight. Nichols reported they had recovered repressed memories of working on the project and gave, in impressive detail, descriptions of what was said to happen at Camp Hero.
His testimony described a US government that was running secret programs in the realm of mind control, time travel, and alien life. And worst of all, it said that children-or orphans and runaways-were bereft to such terrible experiments.
Along with these, two other major personalities named Al Bielek and Duncan Cameron also came forward to be identified with this theory.
Bielek also claimed to have been part of the Montauk Project and its precursor, the near-legendary Philadelphia Experiment, a 1943 U.S. Navy effort to make a warship invisible. The latter, according to reports, involves Cameron, described as a psychic, who is apparently responsible for the opening of interdimensional portals. Of these three individuals, the aforementioned trio provided the principal voices behind the Montauk Project conspiracy-the corroborative evidence notwithstanding.
Alleged Experiments at Camp Hero
The activities said to be occurring at Camp Hero are varied and sensational. At the center of this theory is, of course, the concept of mind control, wherein the government allegedly attempted to perfect those techniques that could manipulate human thought and behavior. Other advocates also suggest that the Montauk Project embarked on successful experiments in time travel, in which people were quite capable of being forwarded in time to any number of historical periods. Equally as outlandish are those of teleportation, claiming that both people and objects were instantaneously transported over great distances.
But arguably the wildest claim involves contact with extraterrestrial beings. Some in the conspiracy theory community believe that through the project, contact was made with aliens and various high-technology items were obtained from them. Finally, many broader conspiracy theories are associated with the Montauk Project-claims that some of the Apollo moon landings were staged as part of a greater agenda driven by this project.
Government Denial and Lack of Evidence
As one might expect, the U.S. government has categorically denied the existence of the Montauk Project or any type of experiments described in Nichols’ books. None of the claims have been based on any official documents or evidence, and most experts consider the project to be pure fiction. Skeptics indicate that the theory is based too heavily on anecdotal testimony and recovered memories, which are notoriously unreliable.
Mostly, the Montauk Project reflects common tropes found in science fiction rather than fact. Time travel, psychic abilities, and alien contact are many of the themes familiar to popular culture, and critics will point to this as evidence that this project is born from creative imaginations rather than secret governmental experiments.
The Cultural Impact of the Montauk Project
Still, the cultural impact of the Montauk Project has been immense despite any verifiable proof.
The secret experiments have inspired a number of books, documentaries, and even a couple of films. Most noticeably, the hit Netflix series Stranger Things was pitched under the working title “Montauk,” with many elements of the series drawing inspiration from the conspiracy theory. Indeed, plotlines throughout the series-secret government experiments, alternate dimensions, telekinetic abilities-can all be seen to bear a resemblance to the facets of the Montauk Project espoused by its most devoted followers. The fact that this theory has persisted, even without evidence, is just another reflection of the allure that conspiracy theories continue to have with audiences in modern times. Tales of secret government agendas, superhuman abilities, and resultant cover-ups continue to captivate audiences mainly because of the tendency to mix fact and fiction in such a way as to maintain intrigue.
Skeptical Views and Science Fiction Parallels
Most professionals consider the Montauk Project to be a modern urban legend. The absence of physical evidence, except for the fact that the claims are incredible, alternatives from the theory make the serious research hard to take seriously. In fact, much of the story about Montauk borrows a lot from science fiction with parallels to well-known works in the genre. Time travel and mind control experiments, for instance, are two central elements of the Montauk Project; these are staples of any science fiction narrative. The contact with extraterrestrial beings in the context of secret government research has been the subject of numerous books and films, further blurring the already thin line existing between imagination and reality.
Why the Montauk Project Matters Today The Montauk Project remains significant in modern conspiracy culture, despite the fact that it is mostly considered fiction. This plays into deep-seated fears of government overreach, unethical experimentation, and hidden knowledge-a theme deeply resonating with that part of the public who are suspicious about official narratives and catalyzes the growth of conspiracy communities both online and offline. Add to that the fact that the Montauk Project has somehow managed to find a home in pop culture, between its connections to popular science fiction themes and shows, like Stranger Things. Many people view the theory as more than a weird conspiracy-it’s a way into talking about time travel, alternate dimensions, and what could or can’t the human brain do.
Dejuane Aki Hayden, 30-year-old rapper, died in a shooting involved with Jacksonville Police officer Bradley Griffitts on Thursday, October 10, 2024. It happened while Hayden was apparently live on Facebook, listening to Kendrick Lamar’s song “Not Like Us.”
According to the JSO, police were conducting surveillance on subjects believed to be affiliated with gangs when they approached Hayden and two other. Witnesses described a confrontational scene, saying people were “flashing guns back and forth.” As police neared the trio, Hayden is said to have ran away, drawing a gun, at which time Office Bradley Griffitts fired his weapon.
Florida rapper Dejuane Aki Hayden fatally shot by Jacksonville police while vibing to Kendrick Lamar’s “Not Like Us” on Facebook Live 🙏🏾 This is JSO Bradley Griffitts’ second officer-involved shooting in six years.pic.twitter.com/SHPbW6pdtv
This incident has whipped up a wave of concern amongst its residents, many demanding transparency. A video being forwarded on social media seems to show moments that led up to the shooting, but JSO has ensured it does not capture the actual shooting. Release of body camera footage has become a demand by this community to shed light on what happened.
Dejuane Aki Hayden was an impassioned artist who put his heart into every lyric in his song. With hard-biting rhymes and raw storytelling, Hayden often had a unique way of connecting with his listeners. His songs could often speak to those living through similar dilemmas, having reflected the struggles of life in Jacksonville.
Experiences, both positive and negative alike, played the huge part in Hayden’s creative process. Many interviews that he has ever held claim that his fans deserved to hear the raw, honest truth when it came down to his music. “I want my music to be real,” he once said in an interview. “I write about what I know, and I know the streets.” This made him popular locally within the rap scene.
It is part of the bigger story that goes on with gang and drug investigations in Jacksonville. Hayden was under surveillance from the JSO based on his association with these known gang members. None of these incidents are related to previous occurrences involving Officer Griffitts, but an indication of a constant problem in violence and crime.
Officer Bradley Griffitts has been involved in two officer-involved shootings within the past six years. Questions are quickly raised about his history and the continuing issue of police conduct.
Life was not easy for Hayden, and he’d had his share of legal problems: by September 2023, Duval County had an active case against him. Perhaps, that is what had touched his music and the spoken word of messages in them. Despite this, he was deeply devoted to his art and community.
The community’s reaction toward the death of Hayden was marked by grief and anger. Tributes have poured in across social media platforms, with fans and supporters sharing heartfelt condolences and memories of the late rapper. “He was more than just a rapper; he was a voice for us,” commented one fan on social media. “His music spoke to our struggles and our dreams.”
As the investigation into the shooting continues, residents are left trying to make sense of this tragedy. The call for accountability and transparency from law enforcement now rings louder than ever. We want to know about the circumstances of Hayden’s death, and really about the officers involved.
Rihanna’s Savage x Fentyl runway shows have transcended into cultural relevance owed to their inclusivity, diversity, and innovative presentation. The best turn of events: Rihanna is bringing back the iconic Savage x Fenty runway shows.
The multi-talented singer/songwriter and entrepreneur made her intentions clear during a preview event for her new Lavish Lace Collection at Nordstrom in Century City Mall, Los Angeles. “I want the show to come back,” she said to PEOPLE as cheering erupted from her sea of fans.
Rihanna reveals to People that she wants the Savage x Fenty fashion shows to return:
“We want a new message, a new logo. We just launched new collections and you'll see we're introducing you to a brand new Savage X Fenty brand, and then we could take it from there.” pic.twitter.com/cFXNEFJZKL
Rihanna is planning big things for the upcoming shows. She said the brand is doing a face flip, adding, “We are doing a flip on the face of the brand and we’re just trying to launch everything.”
The Grammy-winning performer isn’t stopping at looks alone; she’s promising to have a new message and even a new logo for Savage x Fenty. “You’ll see, we’re introducing you to a whole different Savage x Fenty brand, and then we can take it from there,” she said.
Rihanna also gave a tour of her life. She spoke candidly about her go-to mom uniform: “Anything that’s cozy, stretchy, and easy to bend down and pick my kids up in.” Comfort will be the key to navigating motherhood alongside a career. ”Anything that doesn’t scratch me, doesn’t scratch them. We’ve got a lot of work to do in one day in the life of a mom,” she said with a smile.
via- Getty Images
One of the hallmarks of Savage X Fenty since its creation in 2018 had been its commitment to being inclusive and diverse. Consistently, the shows have been filled with a diverse cast-a hind and forensic collision of different body types, ethnicities, genders, and age groups-something that separates it from traditional fashion shows . This commitment is still strong in the brand ethos today, as can also be seen in the recent collaboration with Diesel, avowing inclusivity and self-love.
via-DENNIS LEUPOLD
More recently, Savage x Fenty partnered with Diesel for a limited capsule collection that contained lingerie and apparel. This will include the lingerie, underwear for women and men, and sleepwear that will become available only in some Diesel stores around the world, along with Savage x Fenty stores within the U.S. The collaboration heightens both brands’ values toward inclusivity, targeting Generation Z with its diverse media campaign.
Past Savage x Fenty show Vol. 4 was filmed this October 2022 and aired on Prime Video in November 2022. Full of stars, best models, musicians, and celebrity appearances by the likes of Johnny Depp-a move that got tongues wagging on social media. The show kept the brand’s DNA performance diverse and new digital presentations, and what was expected of the brand.
via-Emma McIntyre/GI
Rihanna’s future vision for Savage x Fenty is cognizant of the reality that fashion is sluggish to change. She has committed to an all-inclusive and eclectic range of fashion that has typified the brand. In June 2023, she stepped down as CEO of the company, but stayed very influential as an executive chair.
via- GETTY IMAGES
That means the return of Savage x Fenty fashion shows heralds an exciting new chapter for the brand, filled with transformations, inclusiveness, and innovative collaborations which will again set a new definition for the concept of fashion shows by Rihanna.
According to Amouranth, the first message from Kanye was casual, just asking her to “hit me when done” after her stream. He hinted at a desire to hang out and hear a song from his next album, “Vultures”. Amouranth, whose real name is Kaitlyn Siragusa replied in confusion where Kanye elaborated on what he meant.
While the exchange never went further than that, confirmation of Amouranth’s DMs sent from social media sent the internet talking. It also put into the light how Kanye has reached out to a number of female guests who have been on the show, according to Ryan Pownall.
Via dexerto
Pownall, under NDA with Kanye, had said humorously in the past that he “sends” women to Kanye. However, he recently came forward to explain that he does not deal with any matchmaker business and also does not facilitate such connections.
Reactions by the public to this news have been those of utter shock and curiosity. Fans have speculated on the reasons behind Kanye’s actions, even more with the Marina Abramovic floating around his marriage to Bianca Censori. Some users even pointed out that probably the reason for Kanye’s divorce rumors was his interactions with female podcast guests. But as Kanye prepares to drop his new album, “Vultures,” the situation with Amouranth’s DMs has launched him into the headlines once again for reasons unrelated to his music.
It remains anyone’s guess if this latest report will have any bearing on public perception of him, but for the time being, the story has incited discussions across social media, chronicling just another chapter in Kanye’s mentally frenetic-and quite frequently scandalous-career.
“Do you ever feel threatened by the recent rise of your fellow pop stars, such as Charli XCX, Chappell Roan, and Sabrina Carpenter?”
he wasn’t exactly defensive. Quite to the contrary, she greatly admired these other artists, hailing them as “f**king awesome” and celebrating their success in a cutthroat industry.
“Are you kidding me? I’m so happy for these b*tches. It’s a crazy world when you get to the level they’re experiencing right now, and they’re doing great. Fans are drawn to them because they’re f*cking awesome.”
She added it’s no surprise the fans were into them, acknowledging the maelstrom of fame that comes with that level of talent. For Eilish, it’s literally: there’s just no room for some rivalry where the music is this good.
Beyond her remarks about these emerging stars, Billie turned candid about the fierce competition happening in the music business. Although that competition can be cutthroat, she doesn’t really view it as a constant struggle for center stage. Rather, Billie mentioned how important it is to support one another through those states of mind and overwhelming public expectations. “It’s a crazy world at the top,” she noted, “and we all need to have each other’s backs.“
The discussion even touched on Billie’s new single Birds of a Feather, which almost never made it to the public. Early in the year, when she mentioned the single had a more poppy sound than her usual, she said she wasn’t sure that it showed her typical style. After multiple edits, it remains one of her biggest hits; even most unlikely tracks can strike a chord with her audience.
This sense of growth and self-assurance is a returning theme for Billie, who reflected on how her music has changed in recent years. From the dark, brooding tones of her earlier albums to the more emotionally complex songs she’s making these days, according to Billie, much of her artistic shift can be attributed to her experiences with fame. Public scrutiny does force her to constantly move and change; the one thing that does stay put, though, is her commitment to staying real.
Indeed, like many artists of the contemporary era, Billie is vocal about the kinds of pressures thrown her way, both in her personal life and her professional career. She was open about the ways it is tough to maintain good mental health in an industry where everything gets amplified through social media and constant public attention. Yet, she has found her refuge in the company of fellow musicians, stating how significant it is for them all to lean on and lift each other up in such a cutthroat field.
Besides this, Billie is on her world tour titled Hit Me Hard and Soft. Indeed, she has added new dates in 2025 in addition to touring Europe and Australia. It’s a show you would definitely not want to miss, graced with special guests Ashnikko and her brother Finneas, who join her on stage.
She concluded by saying that the public’s perception of her has shifted throughout her career. Being one of the most scrutinized pop stars of her generation, she learned how to handle praise as easily as she could criticism. Amidst constant pressures to be like everybody else, Billie stays true to herself, a quality her fans have come to admire.
On October 10, 2024, the futuristic collided with the casual at the highly anticipated We, Robot event, hosted by none other than Elon Musk. The star of the evening was Tesla’s humanoid robot, Optimus Gen 2: sleek, modern, and built for seamless day-to-day tasks. From watering the flowers to serving drinks, Optimus showed it could deliver and just how far Tesla has come with robotics.
The atmosphere was electric, with an undercurrent light-heartedness as tech enthusiasts socialized with robots, sipping drinks and casually chit-chatting with these mechanical marvels. One such interaction that stole the show was a spontaneous conversation between rapper 2 Chainz and Optimus. Known for his playful personality, 2 Chainz approached the robot with curiosity and humor, sparking a dialogue that quickly went viral.
What’s good, bro?” 2 Chainz said, greeting Optimus, whose head rotated toward him in a fluid, mechanical motion. “How you doing?“ he asked, to which the robot responded, rather human-like, “I’m doing good.” Setting the tone for the rest of their chat, the rapper – never short on a quick quip – took it to the next level by asking, “Can you play basketball? Can you shoot jump shots?“
Without missing a beat, Optimus replied, “Maybe someday I’ll teach you.” The crowd erupted in laughter at how seamlessly the robot could deliver humor. It was Optimus here, really delivering into view Tesla’s vision for the creation of robots that do not simply perform tasks but can also interact with people on a personal basis.
But 2 Chainz wasn’t complete. He took the interaction further, joking how Optimus needed an outfit from Balenciaga. “I got an outfit for you,” 2 Chainz joked. Optimus enthusiastically responded, “Awesome. That’s cool.” By the end of the conversation, 2 Chainz was half-serious, placing the order for the robot. “I’m gonna order you, and I’ll see you in another couple of months.“
However, the exchange was more than amusing; it demonstrated Tesla’s efforts to make its robots friendly and integrate them into daily life. Elon Musk has long envisioned a future in which such humanoid robots also perform house chores, babysitting, and even walking dogs. The robots should be publicly available at an estimated $20,000-$30,000 and give a feel for what the future might look like with robots among us.
The attendees ranged from ‘unbelieving’ to laughing in trusteeship.
“It felt surreal, just watching 2 Chainz having a full-on chat with a robot, like it was nothing outside of ordinary life,”
said one in attendance. A casual discussion showed that Tesla wants to break the ice and make these robots approachable and relatable while the technology is undoubtedly state-of-the-art.
In case you weren’t able to attend the event, you can watch the entire event video below..
Optimus, has been made by no less than Elon Musk himself. The future of robotics is here. As Musk took center stage at the “We, Robot” event this October 2024, held in Tesla’s headquarters, all eyes were glued on him as he introduced his latest brainchild: one highly advanced personal assistant touted to change everyday tasks.
Tesla’s Optimus humanoid robot has been revealed by Elon Musk… 👀‼️
Elon says it can basically “do anything,” like walking your dog, babysitting your kids and mowing your lawn… pic.twitter.com/ztZV6ZVLJr
Musk revealed a very ambitious vision for the event: Optimus is a robot designed for nearly every task that is seamlessly done in homes, according to him. He declared Optimus an “ultimate personal assistant” supposed to perform tasks from babysitting and walking dogs to carrying groceries and even light social interactions.
“Imagine a future where you come home, and Optimus has already walked your dog, tidied up your house, and prepped dinner,” Musk said. “That’s what we’re aiming for-a robot that genuinely makes one’s life easier with respect to tasks.
Optimus stands approximately 5 feet 8 inches tall and weighs approximately 125 pounds. Optimus has sleek lines to its build, emulating human proportions for maximum smooth interaction in human environments.
The robot runs on Tesla’s most advancedAI systems, much like the tech used in the firm’s autonomous vehicles. Equipped with sensors, cameras, and powerful actuators, Optimus can find its way through complex environments around it, recognize objects, and also interact with human beings autonomously. The robot is also fully rechargeable and designed to work for hours without human intervention.
But probably the most striking feature of Optimus is how cheap it is. Musk said the robot would cost between $20,000 and $30,000 when it goes into mass production, hence able to reach many households. For such an advanced robot, such a price is considered to be a breakthrough.
The live demonstrations of what Optimus could do were astonishing to the audience present. Before the audience, the robot waved its arms, kept various objects in an elegant hold, and even played simple games with someone present in the audience, all designed to demonstrate balance and reaction. Tesla’s engineers drove home intuitive mechanisms of the device-the so-called user controls the robot either through voice commands or a smartphone app.
As Musk unveiled, Tesla is planning to mass-produce millions of Optimus units targeting industries. “We think this robot is going to completely change the way households function and also is particularly useful for industries that rely on a lot of human labor, like warehouses and retail,” Musk said. According to Tesla, Optimus is one of the most important products in efforts to drive down costs of services around the world where many activities require substantial human labor.
The unveiling of Optimus earned a broad range of responses from those in attendance and those observing online. “It’s like living science fiction,” more than one attendee and online commenter alike echoed. A much sleeker design would put Optimus more in the company of movie bots from I, Robot and Ex Machina, though perhaps sans the dystopian subtext-at least for now.
Of course, not everyone looks at this without raising an eyebrow. Critics were quick to point out the possibility of heavy job displacement, especially in fields requiring a great deal of manual labor. Certain workers in warehousing, retail, and even domestic services were concerned about the number of jobs that robots like Optimus could lose when companies embrace the automation technology. However, Tesla remains hopeful that the technology will open fresh avenues for employment in the field of robotics maintenance and AI development.
Assuming Tesla continues to refine and develop Optimus, the future can almost be assured to be promising-and possibly disruptive. This could greatly alter people’s approach to work and leisure and generally to everyday routines once the humanoid robots start their mass adoption both in homes and workplaces. As amazing as Optimus’ capabilities sound, the implications for greater society-and most specifically, for jobs-remain hotly debated.
Rapper Blueface has been stripped of his video call privileges at North Kern State Prison in Delano, California. This comes after a leaked video on FaceTime caused an uproar that reached the headlines. In the now-viral footage from October 2024, a woman was seen twerking during a video call with the rapper. Serving four years for probation violations, Blueface was subsequently punished by prison bosses and stripped of his FaceTime privileges.
The incident occurred a month after Blueface, whose real name is Johnathan Jamall Porter, was transferred to North Kern from Los Angeles County Jail. The identity of the woman in the video has not been revealed. However, her irreverent behavior prompted not only an immediate response from prison officials but also an outspoken response from his family.
Blueface Caught Watching a Woman Twerk on Leaked Jail Video Call-Karlissa Claims He Lost His Privileges Over It! 😂 pic.twitter.com/DTzZClOXVN
This isn’t the first time Blueface has been in the news for his run-ins with the law. His current four-year sentence is a result of violating probation related to an assault case in 2021 for attacking a security guard at a club in San Fernando Valley. His legal issues go further back, though, including an attempted murder charge in Las Vegas that occurred in 2022 for allegedly firing a gun at a man outside of a club. In June 2023, he was charged with robbery after allegedly stealing a woman’s phone at the Palms Casino, Las Vegas. These incidents have combined to form a troubled public image for the rapper.
Karlissa Saffold, Blueface’s mother, has never minced words when it comes to speaking her mind about her son’s troubles; the recent scandal being no exception.
“I was mad I couldn’t cuss him out on FaceTime ‘cus my homeboy that work up at that jail said he was already doing some…nevermind. He was acting freaky on the FaceTime and lost the FaceTime privileges already, else I would have cussed his ass out.”
Saffold said that her post to social media suggested that for some time during the call, Blueface’s behavior had been inappropriate. She also complained that because of the privileges lost, she could not be able to confront him face to face, adding to the personal and emotional layer of the controversy.
Before this scandal, Blueface referred to his prison life as a “break” from outside pressures. He said he focused a lot on working out, watching TV, and staying in close contact with family members. Without his FaceTime privileges now, those lines of communication have become grossly diminished. Despite this restriction, Blueface still keeps in contact with his family through regular phone calls, although the incident surely complicated his daily routine.
This would put Blueface in a position to be eligible for early release as early as March or April 2025, provided his behavior continues to be good. Early release, in this case, would take into account time served and also good conduct credit. On his release, Blueface is expected to return to his music career in a bid to recapture the runaway interest tasted with his hit single “Thotiana.” He has spoken about using prison time to reflect and draw inspiration for future projects that may talk about his personal and legal struggles.
The video call scandal only adds to the already controversy-marred persona of Blueface. If he was known for his run-ins with the law and generally eventful personal life, then this latest incident further raises questions about how he can manage a career and pertinent personal responsibilities. His family dynamics-most especially, the continuous drama with his mom and on-and-off partner, Chrisean Rock-are sure to play out in the public eye.
While his music career remains the potential focus once he gets out, Blueface’s public image took yet another hit in the court of public opinion, and it remains to be seen how he will rebuild both a personal life and professional reputation.
On Thursday evening, Charli XCX treated an enthusiastic crowd of fans and music industry professionals to a special listen-in for her highly-anticipated Brat Remix Album at Storm King Art Center in Hudson Valley. The event premiered experimental, extra-planetary soundscapes reimagining tracks from the original BRAT album.
Charli’s remix album-which, provocatively enough, is titled “Brat and It’s Completely Different but Also Still Brat”-reworks and reimagines tracks from the original Brat album, out this June 2024. This is no ordinary remix project. Charli approached it holistically, taking creative care with each track to make it an evolution of the original. “”Its not a matter of, hurry it up, slow it down beats,” she said during the listening party. It was like, I wanted the remixes to deal with deeper themes of fame, celebrity pressures, and toxic fan relationships but sound fresh and exciting.
Charli xcx explains her artistic process behind the ‘BRAT’ remix album at New York listening party. pic.twitter.com/5ybviohKky
The list of collaborators on this new album reads like a who’s who: pop giant Ariana Grande, indie icon Julian Casablancas on loan from The Strokes, and some otherworldly vocals thanks to the one and only Bon Iver. Each of these musicians added that special something to the collaborative remix project that had Charli continuing to experiment with hyperpop. The track “Sympathy Is a Knife,” featuring Ariana Grande, speaks on a deep level to the scrutiny that comes with public life and how celebrities negotiate unrelenting pressures from the weight of fame.
Another highlight is “Von Dutch,” which taps viral TikTok sensation Addison Rae for a look at the toxic dynamic that sometimes occurs between followers and influencers.
Charli said working on the remix album was very collaborative. She didn’t just hand over her original tracks to a remix artist; she sat down with each of the featured guest artists to craft an entirely new arrangement. “The songs aren’t just remixed-they’re transformed,” she said. The result is one deeply rich tapestry of sound that veers between Charli’s typical hyperpop and the more experimental, fusing electronic beats with introspective lyrics.
During the listening party, frequented by guests who could listen to the premiere of the album surrounded by monumental sculptures from Storm King, added a visual layer to the music. This symbolic gesture showed how the woman is never afraid to mix up some of the most popular aspects of pop culture with high art. That artistic venue was reminiscent of her creative ethos in pushing music into unexpected spaces.
One of the more improbable things about Brat and It’s Completely Different but Also Still Brat is its album cover: minimal, lime-green. What started as a cost-cutting measure-“I thought the album wouldn’t sell well, so I decided to scale back the design”-has since become an iconic image for the album, resonating with fans as a statement on the wild vicissitudes of fame. As the party wound down, Charli took a moment to consider what the remix project had meant on a deeper cultural level. Album themes that touch on the scourge of fame and celebrity pressures are timely in an era when artists are speaking more and more about the darker sides of their success.
It features artists such as Billie Eilish, Lorde, and Troye Sivan; basically, this remix album is a cultural touchstone capturing the spirit of today’s musical landscape while offering a self-reflective look at the cost of fame.
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