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London Artist Kemi Ade Gives The Recipe For Her Unique Sound

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Exclusive London Artist Kemi Ade Is Giving You The Recipe (2)PHOTOGRAPHY: @prexactly  MUA & STYLING: @jennifermcking & @jasminemcking

The beautiful and talented Kemi Ade is creating music on her own terms. Having made it onto our radar a couple months ago, her music evokes feeling. Ade’s first single off her EP O.W.Nesty, “Third,” offers soulful vibes  as she delivers an effortless entree of jazz, folk and hip-hop. HYPEFRESH was able to speak with the emerging artist about her inception, inspirations, how her love for music blossomed and everything under the sun.

Q: Listening to your music, you sound like a modern day Jill Scott mixed with a little bit of Erykah Badu. Did these musicians always have an influence on your?

A: Kind of… when I was in college, well my last two years of High School. Where you guys are from it’s considered High School, Lol. I was about 17 or 18, I didn’t know what my sound was vocally and my choir teacher gave me some Jill Scott song to sing and I found that’s when I sounded best. But when it comes to my actual sound and making music I draw influences from everywhere more or less from Jill Scott and Erykah now. But I get that comparison a lot.

Q: I guess that put you in the mindset of where to seat and take you music?

A: Yes, Exactly!

Exclusive London Artist Kemi Ade Is Giving You The Recipe (3)Image via Kemi Ade

Q: In your song “Third”, do you have a personal connection with the lyrics?

A: I wrote it last year, around this time actually. Yeah, I was talking to my friend about the fact, like, love is so hard and wouldn’t it be nice just to have a relationship with someone you just naturally connected with them and relate to spiritually and stuff. But really its just me trying to find that right guy. I tried though but I still didn’t find him yet lol.

Q: Looking at your art work from your single “Third” and your EP, I get a meditation vibe. Was that your intention ?

A:Yes, I wanted it to be pure, and whats more pure than meditating?It was like a reflection on the name of the whole project. The whole project is a play on the word ‘Honesty’ and I just wanted it to be that. So the art work of the single’s artwork is like you looking dead in my eyes. Because they always say that you can see a person’s true soul through their eyes. And then me meditating on the cover of the EP, is me trying to gather all my senses before I hit you with some real truth.

Q: “Third” is such an easy going song, I feel like you can listen to it while your taking a walk through the park or doing daily chores around the house. What was it like working with Nosaapppollo on this song? Have you ever worked with him before?

A: It was the first song that me and him ever made together. So it was amazing. Me and my guitarist. She had the chorus already and I already had the verse but it was a slower tempo. And I kept saying to her “I can’t finish the song and I don’t know why.” So, when I had the session with Nasaappollo I said “We have a song, we want you to what you can do with it.” He got back to us and said how bout we speed it up. And it turned in just turned into this completely different world. It was hands down one of the most purest moments with music that I have ever had. It came so naturally, I turned into a totally completely different vibe. I don’t even remember what it sounded like before. It was for sure a happy accident.

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Q: Hailing from Croydon, South London, your music delivers such an infusion of soul. Where do you think this comes from?

A: My mom was in choir, I was also in choir. My aunt used to live in Brooklyn. So I went there for a bit and she used to sing in choir there and I used to go over there and sing with her. She used to always be like “Make sure you always speaking the truth.” She was Nigerian so she drove that home when I used to sing in choir. So, it’s more like just being soulful is just being honest and true to how you feel. That’s where my soul came from. People from London are really pure and Afrocentric with how we are as people, especially with the Black British crowd, or any ethnic crowd really. We push our ethnicity to the tenth degree.

Q: What do you want people to take away from your music?

A: I always say that there is a song for every moment. I just want everyone to have a moment when they listen to my music. I want them to be like, “Oh, I remember where I was when I first heard this song or when I first connected with this song.” Nowadays all people hear first is the production, then you listen to it again and actually pay attention to the words. I want people to say this is where I first fell in love with this song, and also remember when they first felt it. I just want people to feel what I’m writing.

Exclusive London Artist Kemi Ade Is Giving You The Recipe (5)

Artwork by ashleystraker

Q: How did you come up with your EP name “O.W. Nesty”?

A: O.W. Nesty… I was talking to my friend and she was telling me how I’m so honest and how I’m the only honest person that she knows. While she was talking I said that I should name my EP or album “Honesty.” She said that I could just name it that. So I sat down for ages thinking how I could change it. I came up with nobody owns their own truth. So, I played with the “Own” part. I came up with “Only When Needed” And the website “Etsy” I changed it around for my own purposes! So its like peer-to-peer exchange that happens only when needed.

Q: If you could pick any artist to collaborate with or have produce a song for you, who would it be and why?

A: Producer it would have to be Kaytranada, I bump too many of his songs like the Azealia Banks remix with Pharrell called ATM Jam. And his other song called ‘Girl’ by the Internet. He has the perfect fusion between soul and electronic and that what I love about music, where you can fuse two things together and make it one and doesn’t sound crazy. I love it. One artist I would like to work with, it changes all the time. Kendrick. Especially since he just released an album. It would be cool because both of our names start with “K”. That would be a powerhouse theme.

Q: When can we expect a video? And what’s next from Kemi Ade, the artist?!

A: I think I will be dropping a video in the summer, so you can feel that summer vibe the song gives off. Whats next is more music through out this year. I have loads of songs that I just was to drop out! And shows performing and performing!


To get more information about Kemi Ade follow her on Twitter.

How To Not Be Thirsty

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Dating is difficult as it is, but now living in a technology driven age, the whole dating game has changed completely. Now it all starts virtually, which may or may not make things harder. These days, your persistence towards a person of interest may come across as “stalkerish” or thirsty. It’s hard to tell the difference online, but no worries. Alessandra Conti, celebrity matchmaker and co-founder of Matchmakers In The City, has your back. In an interview with UPROXX, she gives a list of advice on how to score a summer bae. Here are 3 of my favorite Conti tips:

Don’t be too physical on the first date. 

Now I am not the one to judge anybody on what they do on their first encounter. If that’s what you want to do, go for it..but I think anyone will agree that when somebody is immediately being overly aggressive and sexual, that’s a red flag. Conti states even if you are just an overly affectionate person, your actions could be interpreted differently. It’s best to just keep it simple until you know for sure it’s cool with the other person.

Don’t overthink the date.

Do not feel pressured to go over the top on the first date. Conti stresses to save the big gestures for later on. It’s important to feel out the person you are trying to pursue first and see what they like and what they don’t. Keep it casual and the expectations low.

Fellas: unsolicited pics of your junk…big no no. 

“I don’t get why they send them,” Conti says,”it’s totally disgusting. Maybe it works for one out of 200 women, but it’s totally wrong.” I agree. 9/10 we didn’t ask for it. If a woman does ask for it, cool. Do your thing. But I would highly suggest not doing it unless it was requested. It’s not going to win anybody over.

Fore more tips and to check out the full interview, visit here.

HYPEFRESH Music Video Countdown 2017 Week 3

Today we are dropping Week 3 of our Music Video Countdown. Which artists are on the list? Who will be number 1 on our list? Which one is our favorite? So many questions! But, check it out and we hope you like it.

Also be sure to subscribe to our YouTube channel here.

The Marley’s Can Do No Wrong

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Skip Marley’s ‘Lions‘, which is the song featured in Pepsi’s recent commercial that was taken down due to major backlash, has ironically been gaining massive support and climbing the charts.

The song was originally covered by media outlets such as Teen Vogue and Vibe Magazine, as well as here at HypeFresh. It debuted on Spotify’s US Viral 50 as well as the Global Viral 50 charts, which came a week or so after signing with Island Records. The song was used by Pepsi only two months after its release, which boosted the visibility of the song and artist significantly. The single’s streams shot up 1,749 percent and in not even a week reached 4 million U.S. streams. The single’s sales went up almost 400 percent, selling an additional 2,000 or so downloads. Additionally, Skip climbed the Billboard + Twitter Emerging Artists list, going from number 35 all the way to number 11. He’s making waves with an uplifting message and a call to action in a way that we haven’t seen since his grandfather, the late great Bob Marley.

Skip Marley was featured on Katy Perry’s song, Chained to the Rhythm, which is the first top ten song on Billboard’s Hot 100 for any Marley surprisingly. It debuted at number four and currently sits at number nineteen. Perry brought Marley out on stage during her Grammy’s performance to aid her and also give him a huge national stage to present himself to the world. He’s no stranger to big stages; when he was only 13 years old he was recruited by his uncle Stephan Marley to sing on stage with him.

Skip Marley’s debut album is set to drop sometime this year on Island Records so we’ll get to see what’s next fairly soon for the 20 year old budding star.

United Airlines Issued An Apology And Twitter Wasn’t Having It

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It hasn’t been a very good week for United Airlines. If you are behind on the latest airline controversy, it all started on Sunday night on a flight from Chicago to Louisville, Ky. Since the flight was overbooked, United Airlines offered $1000 to passengers to volunteer their seats to make room for their employees. Nobody volunteered, which lead United to follow procedure and pick four random people to exit the aircraft.

Three left, but one refused to. The fourth passenger claimed to be a doctor who had patients he needed to see in Louisville. United called security officers, who violently yanked the passenger from his seat and dragged him off the plane, leaving him bloodied. The horrifying incident was caught on tape and posted online. As expected, the footage went viral.

The passenger was identified to be 69-year-old David Dao, an Elizabethtown doctor. He never made it home. It was reported that he is recovering from his injuries in a Chicago hospital.

People took to social media sites to vocalize their disgust and outrage with United Airlines in the best way they know how: memes. Twitter users mocked the major American airline for how they handled the situation and even called for boycott using the hashtags: #UnitedAirlines and #BoycottUnitedAirlines.

United Airlines CEO Oscar Munoz issued a statement on United’s Twitter account in attempt to explain why the passenger was removed from the flight. Emphasis on attempt.

Re-accommodate? Really, United Airlines? The statement only served as more material Twitter users could make fun of.

Twitter is more powerful than you think. After seeing Twitter calling out his bullsh*t, Munoz issued a second apology yesterday, one with a little more effort and better choice of words:

Statement from United Airlines CEO Oscar Munoz on United Express Flight 3411

The truly horrific event that occurred on this flight has elicited many responses from all of us: outrage, anger, disappointment. I share all of those sentiments, and one above all: my deepest apologies for what happened. Like you, I continue to be disturbed by what happened on this flight and I deeply apologize to the customer forcibly removed and to all the customers aboard. No one should ever be mistreated this way.

I want you to know that we take full responsibility and we will work to make it right.

It’s never too late to do the right thing. I have committed to our customers and our employees that we are going to fix what’s broken so this never happens again. This will include a thorough review of crew movement, our policies for incentivizing volunteers in these situations, how we handle oversold situations and an examination of how we partner with airport authorities and local law enforcement. We’ll communicate the results of our review by April 30th.

I promise you we will do better.

Sincerely,

Oscar

Changing a Narrative: A Book About Black Beauty

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From music to movies to everyday life, Black Women are mistreated and misrepresented on a pretty high level. There’s a certain narrative that revolves around Black Women and beauty standards that needs to be addressed and changed immediately. Lawrence Lindell is helping push that conversation; his new book, “From Black Boy, With Love” centers around changing the narrative Black boys are taught through their communities and society, so they can express love for Black girls and women.

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The book is filled with 24 pages of illustrations, all drawn by Lindell, all of which depict a Black boy stating different quotes of love and admiration for the beauty and other amazing qualities that Black girls and women behold. Lindell, who was born and raised in Compton, stated that the book was a way to help himself as well as his community think and speak of Black women in better terms. He added, “I’m black and my community is full of black and brown women who I love dearly and I wanted to make something for them… we as men have a huge problem with how we talk, treat and think about women.” Lindell works as an art educator for youth and sees first hand how cruel some of the teasing can be. He states that, “the first thing they go for when teasing each other is hair, body shape and skin tone”, and then added an example, “’You ol’ nappy-headed, black-ass charcoal looking girl, with yo ugly fat ass’”. This is exactly the narrative Lindell is working to diminish. Even in good fun at a young age, some of these boys grow up believing that dark skin is ugly or dirty. Change in mindset and perception has to start at a young age and Lindell understands the importance of awareness.

While Lindell states his primary goals were to change the way Black boys and men view Black women and girls, he sees an opportunity for anyone of any nationality to learn from the book. It’s about having respect for all women and not perpetuating a narrative which makes them feel like anything less than the incredible, multitalented individuals that they are.

How Does Jay Z Leaving Spotify Impact Tidal?

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Hov is about his business, and his latest move proves he’ll do whatever it takes to keep Tidal going. Jay Z removed his solo work from the streaming platform Spotify, leaving only songs he’s done in collaboration with other artists. This comes after removing both his debut, ‘Reasonable Doubt‘, as well as the, ‘Blueprint‘ series from everywhere except Tidal, making those albums essentially exclusives to the service. He’s cornering the market on himself, his music, and his streaming service. Along with two dozen other artists, Jay Z owns the only artist controlled music platform that has been able to seriously rival the major music streaming/distribution services. Pulling his music from another streaming service is an aggressive but necessary step for Jay Z to take in order to further legitimize Tidal and attract as many potential customers and partners as possible.

2017 isn’t even halfway over but Tidal has been making some serious moves; back in January Sprint agreed to purchase a third of the streaming platform for $200 Million. The deal provides a way for the artist owners to deliver exclusive content to Sprint users on top of further stabilizing the company financial. Jay Z is essentially changing the rules of the music industry, and he’s created a platform where some of the biggest names in the game are backing him up. Artist owners include Rihanna, Beyonce, Kanye, Daft Punk, T.I., Coldplay, and about 18 others. Beyonce’s last album, Lemonade, is a Tidal streaming exclusive, which is a move that ma artists have since followed. So even if an artist isn’t signed to Tidal, they’re following a precedent that they set in this new streaming era; artists taking back control of the way their music is handled.

Kathy Shorr: Photographer Sheds Light On America’s Gun Problem

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The United States homicide rate is rising at its fastest rate since the early 1970s. According to the statistics examined by the Economist, the murder rate grew 11 percent from 2014 to 2015. About 65 to 85 percent of all murders are a result of gun violence. This information supports the ongoing claim of this country having a serious gun problem. Photographer Kathy Shorr became passionate about the subject after a terrifying experience of her own.

“A number of years ago I was robbed; today they call it home invasion.” She told Fader in an interview. “Armed intruders came into my house and pointed a gun at me and my daughter, who had just started to walk. That feeling of helplessness – someone else controlling your destiny – is something you never want to experience again.”

The Photographer Shedding Light On America’s Gun Problem

Shorr had already been teaching photography and art classes at an inner city school in New York. She remembers seeing young kids coming into school with memorabilia of their loved ones who were killed due to senseless violence and began thinking about the victims who were fortunate to survive similar situations. This inspired Shorr to begin a two-year, self-funded journey of chronicling survivors of gun violence through her photography.

She documented a wide range of people across the United States between the ages of 8 to 80 years old from all walks of life, along with their own opinions on the gun rights issue. Each and every individual had a unique story that added to the overall narrative Shorr was trying to convey in her book, SHOT: 101 Survivors of Gun Violence.

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“I felt that the country had become very polarized. Gun issues are clearly not black-and-white; there are many shades of grey. I thought that if I could do a project where the abstraction of gun violence was taken away — so it could become something human with faces — that people would be able to confront this issue more easily.”

Hip Hop Shines at the Rock H.O.F.

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Over the weekend, the Rock and Roll Hall of Fame had their 37th annual ceremony to honor legendary inductees with the prestigious award.

The list of inductees is filled with amazing people, musicians that went out of their way to use the platform they have for change. Tupac, Joan Baez, Pearl Jam, Yes, Journey, and the Electric Light Orchestra were all honored. All of them are outstanding musicians, and if you haven’t heard of anyone listed do yourself a favor and look them up. The fact that the class of 2017 included Rap Legend Tupac, who posthumously received the honor via Snoop Dogg, is worth noting.

Tupac, who was shot and killed 21 years ago, has sold over 75 million albums worldwide. His music has affected much of contemporary artists and and music across multiple genres but more specifically, Hip Hop. The honor didn’t just stop at Tupac and his family, it extended throughout the Hip Hop community and offered more validation for the genre as a whole. The Rock Hall has been more and more inclusionary, inducting NWA last year, honoring Chuck Berry and Prince this year, and not turning artists away based on race. They are acknowledging the legitimacy and staying power that people who love Hip Hop knew it had all along.

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Alicia Keys put together a medley of Tupac’s songs and talked about her love for him and his music. Then Snoop Dogg and YG did ‘2 of Amerikaz Most Wanted‘, Treach from Naughty by Nature did ‘Hail Mary‘, and T.I. closed it with a powerful version of ‘Keep Ya Head Up‘. All the guests were surprises to the public, and I can only imagine what the crowd looked like during the performances, but it’s sounded like a great night for the culture.

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It’s not often that you get a shoutout from a legend of Eddie Vedder’s status, but for Chance that seems to be the norm these days. Vedder took time out of his own induction speech to tell Chance he applauded “all the work you’re doing in Chicago” and added, “If you’re somehow watching, my daughter Olivia loves you.” It nice to have fans in high places. This further shows just how beneficial the work that Chance is doing is; he’s using his platform to change a negative narrative in his city, and also about black males.

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Pharrell introduced Nile Rodgers during the ceremony to present the guitarist/producer with the “Award for Musical Excellence”. Rogers is considered one of the pioneers of Disco, and has worked with artists such as Madonna and Skateboard P himself. Pharrell went as far as to say that Rogers has, “been in the studio with him in spirit for about 25 years”, so it’s only fitting that he got to introduce a man who’s influenced so much of his music. This isn’t the first time the two super producers linked up however; the two linked on the insanely popular Daft Punk song ‘Get Lucky’, it was Rogers playing guitar on the track and Pharrell’s vocals.

You can catch the full Rock and Roll Hall of Fame ceremony on April 29 on HBO!

Smino: The “blkswn” of Hip-Hop

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25 year old Chris Smith Jr. – better known by his stage name Smino – is making serious strides to establish himself as the next big visionary in rap. The Chicago-via-St. Louis rapper’s debut studio album blkswn is a beautifully-crafted assortment of soulful upbeat tunes with syncopated riffs, reminiscent of Andre 3000 and Chance the Rapper.

Smino was born into a musically-gifted family: his grandfather was a Blues Hall of Fame bass player, his father played keys, and his mother and older cousin Drea Smith of the indie rock collective PYYRAMIDS are singers. Growing up in the church, Smino drew a lot of his musical inspiration from the vocal harmonies ever-present in gospel music. By the age of seven, he had ventured into writing his own rhymes and even began producing at 13.

He first became familiar with Chicago after briefly attending the illustrious Columbia College to study media management in 2010. However, after dropping out, Smino found himself living in between St. Louis and Milwuakee to jump-start his music career. He found himself first performing using his birth name before adopting the moniker Smeezy and YDOC (Young Dumb and Out of Control) – a rap duo that he formed with St. Louis rapper Bari Allen. However, he finally settled on the name Smino as a homage to the Nino Brown character from the film New Jack City and later moved back to Chicago to establish it as his musical home.

Since then, Smino has formed the Zero Fatigue collective (alongside his producer Monte Booker and frequent collaborator and vocalist Ravyn Lenae) and released two noteworthy EPs S!Ck S!Ck S!Ck and blkjuptr before dropping his enigmatic blkswn project. The jam-packed, 18 track album – which features guest appearances from the Zero Fatigue family, Noname, Bari, Via Rose, and his cousin Drea Smith among others – possesses an instant classic feel. From the endearing ode to black women “Anita,” to the date night tune “Netflix & Dusse,” and the respectfully boastful title track, or the smooth outro “Amphetamine,” blkswn is a funky and soulful sonic experience.

Check out Smino’s debut album here.

The Sound, The Look, The Vision: Chris Scholar Has it All

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Richmond native Chris Scholar is the definition of a modern day creative – he refuses to be confined to one box. Scholar sings, raps, dances, writes, and directs, fusing R&B, soul, pop, jazz and Hip Hop, with smooth dance moves and trippy, unconventional imagery. As he continues to build a name for himself as an artist, his self-directed visuals have led to opportunities with big names such as Nico & Vinz, BJ the Chicago Kid and French Montana, to name a few.

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HYPEFRESH was able to speak with the emerging artist and director about his start, his upcoming album Director’s Cut, and everything in between.

Q: You hail from Virginia, the home of R&B and soul big names like D’Angelo, Trey Songz, and Chris Brown. How has your hometown influenced your artistry?

A: I’m from Richmond, Virginia, which is in the South, but it also has a Northern influence because it’s right where the South begins. I feel like I have a mixed style that resonates with more than just one group of people; I guess with the Southern influences and Northern influences, and me moving to the West Coast. My sound is very diverse.

Q: Speaking of the West Coast, one of your latest singles is called “Moved to LA” – what one moment or event made you feel it was time to pursue your music full time?

A: When I was about 16, I did this video that Jermaine Dupri saw. When I woke up the next day, he had posted the video on his blog site, it had a whole bunch of views, and he gave me a big shout out. From then on I kept running into situations where tastemakers within the industry would reach out. I knew I was headed in the right direction because I was never stagnant, every couple months or so something would happen that says I’m getting closer, so I might as well keep going.

Q: You sing, rap, dance, write, direct – have you ever felt like you had to choose one? What is your advice to others creatives that have multiple interests?

A: I think all of my talents that I have and that I’m pursuing coexist. So I’m not necessarily taking too much away from the other, because they all compliment each other.

But I would say sometimes one passion might be more demanding. Like, directing took over for a little bit and I had to focus on it more. It’s all in God’s hands, which way he’s going to take you, so you just have to go with the flow.

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Q: When did you get into visual art, and how has that interest led to work with the likes of BJ the Chicago Kid and French Montana?

A: I did a few videos around Richmond, party videos, rap videos, that started catching a wave and then once I moved to L.A. I started getting bigger gigs and more people were respecting the artistry on the directing side.

Q: Your upcoming EP is called Directors Cut, what can we expect from this album?

A: Directors Cut is from my point of view, no labels, no third person trying to alter the vision. You can expect the real me, some stories that describe my growth, my move to L.A., and what I’ve been through in the music industry. There are some songs that really speak to the women, overall just a good cohesive project with, sonically, some new sounds.

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Q: Shifting gears a bit – describe your style in 3 words.

A: Sporty. Chill. Fly. That’s the main look, but you know sometimes you have to switch it up.

Q: Where is the coolest place you’ve traveled to perform or shoot a video?

A: Memphis. I loved performing in Memphis. I shot a video and performed out there, and it was dope because that culture was a little bit different from mine. There’s a dance called juking. I really went out there to study that art form.

Q: What’s next?

A: What’s next for me is I’m about to put out this Directors Cut album, go crazy with it, do shows, and in the meantime I’m writing my first movie. Hopefully it all pops at the same time.

Fore more Chris Scholar, visit here.

Adidas Invites Rising Creatives To Join Their Design Academy

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With Nike as a competitor, Adidas is finding unique ways to stay ahead of the curve while also providing opportunities for rising talent. And one way they are doing that is with its Design Academy. The program is now accepting applications from creative individuals all over.

The 24-month experience is looking for creatives who specialize in apparel, footwear, graphics, colors and materials to work alongside Adidas design team to “create, invent and break new ground.”

The Academy will take place at the brand’s design headquarters, Portland, Oregon, and Herzogenaurach, Germany.

Applicants must have a maximum of two years of experience, which includes freelance work and internships. The applications will be received until April 15, 2017, and the program starts on October 1, 2017.

Apply for the academy here.

You Can Live-Stream Coachella for Free via YouTube

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Great news for those of you who would rather sit at home than get caught in a grueling sweat fest in a California desert: for the seventh year in a row, viewers will be able stream the first weekend of Coachella live on YouTube.

Kicking off next weekend on April 14, the world-renowned music festival will see performances by Kendrick Lamar, Future, Lil Uzi Vert, Gucci Mane, DJ Khaled, and Lady Gaga (who replaced Beyoncé as the Saturday headliner who opted out due to her pregnancy) among countless others. Unfortunately, not every performance will be streamed although the more popular performers are usually included in the streaming schedule.

Some new features of the YouTube streaming coverage include a personalized scheduling tool that automatically switches the stream when a pre-selected artist hits the stage, a 360-degree live stream for select performances, and a sneak peak into the underground music Yuma Tent.