A clip circulating widely on X since Nov. 5, 2026, shows adult film actress, model and aspiring musician Moriah Mills stating that most female rappers must sleep with established male artists to secure features and launch their careers.
In the casual sit-down interview, Mills, dressed in a police-style costume, references Future and says, “Future was not lying, you gotta f\*ck for the song.” She adds that “all the rapper girls, except Nicki Minaj” face the expectation, notes that she herself has not done so “and that’s why I don’t got the record,” and extends the claim to streamers seeking regular on-camera appearances.
The roughly three-minute exchange begins with the interviewer asking about recent studio time and requesting to hear one of her songs. Mills replies that she has material involving a big rapper who helped write a track, but the collaboration stalled when the conversation turned to what she would do for the record. “I haven’t f\*cked for the song, that’s why I don’t got the record,” she says. She declines to name the artist beyond confirming it was not Future.
Mills, born in Queens, New York, around 1990 or 1991, first gained a large Instagram following as a model in the mid-2010s. She entered the adult film industry in 2017, working with studios including Reality Kings and Brazzers, before shifting focus to OnlyFans content creation and music. She has released tracks since roughly 2018, among them “Friends Wit Benny,” “Tonight” and “Ride It Out,” which have drawn streams and niche attention. She appeared on The Wendy Williams Show while promoting music around that period.
After a highly public 2023 controversy involving NBA player Zion Williamson, Mills stepped back from the spotlight. In a 2025 interview she discussed personal healing, the stigma attached to adult work, and a return to the studio. Music has remained an ongoing secondary pursuit, and the new comments align with her long-running efforts to convert visibility into mainstream recording opportunities.
Similar observations about transactional intimacy as informal currency for features, beats or placement have surfaced before in hip-hop. Blueface made comparable remarks in 2023 about female artists and features. Yung Joc has discussed producers and artists exchanging intimacy for beats. Future’s lyrics and public persona, including the track and video for “My Collection,” along with earlier allegations from women who said he expected sex, have long fed the conversation Mills references. Nicki Minaj is often cited as an exception who broke through with Young Money backing, distinctive skill and timing.
Mills also suggests that some established female rappers with strong momentum, such as those she describes as “big girls,” may no longer face the same pressure, while newcomers still do. She draws a parallel to the streaming and creator economy, saying she has heard similar dynamics apply to women seeking consistent appearances on popular streams.
The interview setting is informal, with pizza and drinks visible, matching the offhand tone of the remarks. Mills has previously spoken about the difficulty of rebranding away from adult-industry associations while continuing to monetize the same audience, a tension that helps explain why her music output has stayed relatively low-profile despite consistent releases over nearly a decade.
The clip presents one voice in a recurring, contested discussion about power, access and sex in entertainment. Mills attributes her own lack of a major record to refusing the alleged transaction, framing the comments through the lens of her personal music ambitions rather than a formal industry exposé.
